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Who is the real hero of the Iliad: Hector or Achilles??

Who is the real hero of the Iliad: Hector or Achilles? 

400 words, only use information from the source provided 

History Paper

Topic Question: Who is the real hero of the Iliad: Hector or Achilles?

-use only information from “Homer, The Iliad, tr., Stanley Lombardo” -no outside sources

Logistics: -400 word minimum -single spaced -You must have a thesis sentence at the beginning of the essay. -Think of the three, four, or five paragraph essay format, with an introductory thesis paragraph, supporting paragraphs, and a brief concluding paragraph. (Remember: In an essay you are arguing a point, trying to prove a point, or elucidating a point. Your thesis statement states what the point is.) Make sure your sentences make sense. Clumsy phrases and incorrectly used words will cost you points.


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R F A C .

WHETHER a translation of Homer may be beft executed

in blank verfe or in rbime, is a queition in the decifion of

which no man can find difficulty, who has ever duly confidered

what tranilation ought to be, or who is in any degree practically

acquainted with thofe very different kinds of verification. I will

venture to affert that a juil tranilation of any antient poet in rhime,

is impoilible. No human ingenuity can be equal to the taik of

clofing every couplet with founds homotonous, exprefling at the

fame time the full fenfe, and only the full fenfe of his original.

The tranilator's ingenuity, indeed, in this cafe becomes itfelf a

fnare, and the readier he is at invention and expedient, the more

likely he is to be betrayed into the wideil departures from the

guide whom he profeifes to follow. Hence it has happened, that

-although the public have long been in poifefiion of an Englifli

Homer by a poet whofe writings have done immortal honour to his

country, the demand of a new one, and efpecially in blank verfe,

has been repeatedly and loudly made by fome of the beil judges and

ableil writers of the prefent day.

I have no conteft with my predeceffor. None is fuppofeable

between performers on different inftruments. Mr. Pope has fur-

mounted all difficulties in his verlion of Homer that it was poirible


VI PREFACE. to furmount in rhime. But he was fettered, and his fetters were

his choice. Accuftomed always to rhime, he had formed to him-

r which probably could not be much gratified by verfe

that wanted it, and determined to encounter even impoflibilities,

rather than abandon a mode of writing in which he had excelled

every body, for the lake of another to which, unexercifed in it as

lie was, he mult have felt ftrong objections.

I number myfelf among the warmeft admirers of Mr. Pope as

an original writer, and I allow him all the merit he can juftly

claim as the tranflator of this chief of poets. He has given us

the Tale of Try: divine in fmooth verfe, generally in correct and

*ant language, and in diction often highly poetical. But his

deviations are lb many, occafioned chiefly by the caufe already men-

tioned, that, much as he has done, and valuable as his work is on

ccounts, it was yet in the humble province of a tranflator

that 1 thought it poflible even for me to follow him with fome


That he has ibmetimes altogether fupprelTed the fenfe of his

author, and has not feldom intermingled his own ideas with it, is

a remark which, on this occafion, nothing but neceifity ihould

have extorted from me. But we differ fometimes lb widely in our

matter, that unlefs this remark, invidious as it feems, be premifed,

I know not how to obviate a fufpicion, on the one hand, of carc-

. flight, or of factitious embelliihmcnt on the other. On this head, therefore, the Engliih reader is to be admonillied, that

the matter found in me, whether he like it or not, is found alfo in

J '


Homer, and that the matter not found in me, how much foever

he may admire it, is found only in Mr. Pope. I have omitted no-

thing ; I have invented nothing.

There is indifputably a wide difference between the cafe of an

original writer in rhime and a tranilator. In an original work the

author is free ; if the rhime be of difficult attainment, and he can-

not find it in one direction, he is at liberty to feek it in another


the matter that will not accommodate itfelf to his occafions he may

difcard, adopting fuch as will. But in a tranilation no fuch option

is allowable ; the fenfe of the author is required, and we do not

furrender it willingly even to the plea of necefTity. Fidelity is

indeed of the very eifence of tranilation, and the term itfelf implies

it. For which reafon, if we fupprefs the fenfe of our original, and

force into its place our own, we may call our work an imitation, if

we pleafe, or perhaps a paraphrafe, but it is no longer the fame

author only in a different drefs, and therefore it is not tranilation.

Should a painter, profeffing to draw the likenefs of a beautiful

woman, give her more or fewer features than belong to her, and a

general caft of countenance of his own invention, he might be faid

to have produced a jeu d*efprit, a curiofity perhaps in its way, but

by no means the lady in queftion.

It will however be neceifary to fpeak a little more largely to this

fubject, on which difcordant opinions prevail even among good



Mil PREFACE. ii r. free and the clofe tranflation have, each, their advocates.

But inconveniences belong to both. The former can hardly be

true to the original author's ftyle and manner, and the latter is apt

to be fervile. The one lofes his peculiarities, and the other his

fpirit. Were it poflible, therefore, to find an exact medium, a

manner io clofe that it fliould let flip nothing of the text, nor

mingle any thing extraneous with it, and at the fame time lb free

) have an air of originality, this feems precifely the mode in

which an author might be bcit rendered. I can allure my readers

my own experience, that to difcover this very delicate line is

difficult, and to proceed by it when found, through the whole

length of a poet voluminous as Homer, nearly impomble. I can

only pretend to have endeavoured it.

I r is an opinion commonly received, but, like many others, in-

debted for its prevalence to mere want of examination, that a tran-

flator fliould imagine to himfelf the ftyle which his author would

probably have ufed, had the language into which he is rendered

been his own. A direction which wants nothing but practicability

to recommend it. For fuppofe fix perlbns, equally qualified for

the nployed to tranilate the fame Antient into their own lan-

gua je, with this rule to guide them. In the event it would be

nd that each had fallen on a manner different from that o£ all

l, and by probable inference it would follow that none had

fallen on the right. On the whole, therefore, as has been faid, the

t nflation which partakes equally of fidelity and liberality, that is

but not io clofe as to be fervile, free, but not fo free as to

Ikentii mifes faireft ; and my ambition will be I ntly



gratified, if fuch of my readers as are able, and will take the pains

to compare me in this refpeit with Homer, mall judge that I have

in any meafure attained a point fo difficult.

As to energy and harmony, two grand requifites in a tranilation

of this moil energetic and moil: harmonious of all poets, it is

neither my purpole nor my wiih, mould I be found deficient in

either, or in both, to melter myfelf under an unfilial imputation of

blame to my mother-tongue. Our language is indeed lefs mufical

than the Greek, and there is no language with which I am at all

acquainted that is not. But it is muiical enough for the purpoles

of melodious verfe, and if it feem to fail, on whatfoever occafion,

in energy, the blame is due, not to itfelf, but to the unfkilful ma-

nager of it. For fo long as Milton's works, whether his profe or

his verfe, mall exiit, fo long there will be abundant proof that no

iu eject, however important, however fublime, can demand greater

force of exprefiion than is within the compafs of the EnMim language.

I have no fear of judges familiar with original Homer. They

need not be told that a tranilation of him is an arduous enterprize,

and as fuch, entitled to fome favour. From thefe, therefore, I

ihall expect, and lhall not be diiappointed, coniiderable candour

and allowance. Efpecially they will be candid, and I believe that

there are many fuch, who have occafionally tried their own

flrength in this boiv of Ulyjfes. They have not found it fupple and

pliable, and with me are perhaps ready to acknowledge that they

could not always even approach with it the mark of their ambition.

b Hut

PREFACE, But I would willingly, were it poiiible, obviate uncandid criticiim,

becaufe to anfwer it is loft labour, and to receive it in iilence has

the appearance of ftately referve, and felf-importance.

To thofe, therefore, who ihall be inclined to tell me hereafter

that my diction is often plain and unelevated, I reply beforehand

that I know it— that it would be abfurd were it otherwife, and

that Homer himfelf frauds in the fame predicament. In fact, it is

one of his numberlefs excellencies, and a point in which his judg-

ment never fails him, that he is grand and lofty always in the right

place, and knows infallibly how to rife and fall with his fubject.

Big "ii-orJs on fmall matters may ferve as a pretty exact definition of

the burlefque ; an inftance of which they will find in the battle of

the Frogs- and Mice, but none in the Iliad.

By others I expect to be told that my numbers, though here

and there tolerably fmooth, are not always fuch, but have, now

and then, an ugly hitch in their gait, ungraceful in itfelf, and in-

venient to the reader. To this charge alfo I plead guilty, but

beg leave in alleviation of judgment to add, that my limping lines

are not numerous, compared with thofe that limp not. The truth

, that nut one of them all efcaped me, but, fuch as they are, they

were all made fueh with a willful intention. In poems of great length

there is no blemiih more to be feared than famenefs of numbers,

and every art is ufeful by which it may be avoided. A line, rough

itfelf, has yet its recommendations ; it faves the ear the pain of

an irklbme monotony, and leems even to add greater fmoothneis to



others. Milton, whofe ear and tefte were exquifite, has exempli-

fied in his Paradtfe Loft the efFeft of this practice frequently.

Having mentioned Milton, I cannot but add an obfervation on

the fimilitude of his manner to that of Homer. It is fuch,

that no perlbn, familiar with both, can read either without being

reminded of the other ; and it is in thofe breaks and paufes, to

which the numbers of the Engliih poet are fo much indebted both

for their dignity and variety, that he chiefly copies the Greeciam

But thefe are graces to which rhime is not competent ; fc broken,

it lofes all its mufic ; of which any perfon may convince himfelf

by reading a page only of any of our poets anterior to Denham,

Waller and Dryden. A tranflator of Homer, therefore, feems

directed by Homer himfelf to the ufe of blank verfe, as to that

alone in which he can be rendered with any tolerable reprefentation

of his manner in this particular. A remark which I am natural 1


led to make by a deiire to conciliate, if poffible, fome, who, rather

unreafonably partial to rhime, demand it on all occalions, and feem

perfuaded that poetry in our language is a vain attempt without it.

Verfe, that claims to be verfe in right of its metre only, they judge

to be fuch rather by courtefy than by kind, on an apprehenfion

that it coils the writer little trouble, that he has only to give his

lines their prefcribed number of fyllables, and, fo far as the mecha-

nical part is concerned, all is well. Were this true, they would

have reafon on their fide, for the author is certainly beft entitled

to applaufe who fucceeds againft the greateft dirHculty, and in

verfe that calls for the moft artificial management in its conftruc-

tion. But the cafe is not as they fuppofe. To rhime, in our lan-

b 2 guage,

xii PREFACE. guagc, demands no great exertion of ingenuity, but is always ealy

to a perfon exercifed in the practice. Witnefs the multitudes who

rhime, but have no other poetical pretenfions. Let it be conil-

dered too, how merciful we are apt to be to unclaiTical and indif-

ferent language for the fake of rhime, and we fball foon fee that

the labour lies principally on the other fide. Many ornaments of

no eafy purchafe are required to atone for the abfence of this fingle

recommendation. It is not fufficient that the lines of blank verfe

be fmooth in themielves, they muil alfo be harmonious in the com-

bination. Whereas the chief concern of the rhimiil is to beware

that his couplets and his icnk be commenfurate, left the regularity

of his numbers ihould be (too frequently at kail) interrupted. A trivial difficulty this, compared with thole which attend the poet

unaccompanied by his bells. He, in order that he may be mufical,

rnuil exhibit all the variations, as he proceeds, of which ten fylla-

bles are fufceptible ; between the firfl fyllable and the lail there is

no place at which he muil not occasionally paufe, and the place of

tlie paufe muil be perpetually fhifted. To effect this variety, his

attention mull be given, at one and the fame time, to the paufes

he has already made in the period before him, as well as to that

which he is about to make, and to thofe which iliall fucceed it.

On no lighter terms than thefe is it polTible that blank verfe can

be written which will not, in the courfe of a long work, fatigue

the ear pall all endurance. If it be eafier, therefore, to throw five

balls, into the air and to catch them in lucceflion, than to fport in

that manner with one only, then may blank verfe be more eafily

fabricated than rhime. And if to thefe labours we add others

equally requilite, a llyle in general more elaborate than rhime



requires, farther removed from the vernacular idiom both in the

language itfelf and in the arrangement of it, we ihall not long

doubt which of thefe two very different fpecies of verfe threatens

the compofer with moil expence of itudy and contrivance. I feel•

it unpleafant to appeal to my own experience, but, having no other

voucher at hand, am conftrained to it. As I affirm, fo I have

found. I have dealt pretty largely in both kinds, and have fre-

quently written more verfes in a day, with tags, than I could ever

write without them. To what has been here faid (which whether

it have been faid by others or not, I cannot tell, having never read

any modern book on the fubjed) I ihall only add, that to be

poetical without rhime, is an argument of a found and claffical

conilitution in any language.

A word or two on the fubject of the following tranilation, and

I have done.

My chief boaft is that I have adhered clofely to my original

convinced that every departure from him would be puniihed with

the forfeiture of fome grace or beauty for which I could fubititute

no equivalent. The epithets that would confent to an Engliih

form I have preferved as epithets ; others that would not, I have

melted into the context. There are none, I believe, which I have

not tranilated in one way or other, though the reader will not find

them repeated fo often as moil of them are in Homer, for a reaibn.

that need not be mentioned.


XIV PREFACE. Few perfons of any consideration are introduced either in the

Iliad or Odyfley by their own name only, but their patronymic i

given alio. To this ceremonial I have generally attended, becauie

it is a circumilance of my author's manner.

Homer never allots lefs than a whole line to the introduction of

a ipeaker. No, not even when the fpeech itfelf is no longer than

the line that leads it. A practice to which, fince he never departs

from it, he muir. have been determined by fome cogent reafon.

He probably deemed it a formality necefTary to the ma j city of his

narration. In this article, therefore, I have fcrupuloufly adhered

to my pattern, confidering thefe introductory lines as heralds in a

proceflion ; important perfons, becaufe employed to ulher in perfons

more important than themfelves.

It has been my point everywhere to be as little verbofe as- ble, though, at the fame time, my conftant determination not to

facrifice my author's full meaning to an affected brevity.

In the affair of ftyle, I have endeavoured neither to creep nor

to bluftcr, for no author is fo likely to betray his tranilator into

both thefe faults, as Homer, though himfelf never guilty of either.

I have cautioully avoided all terms of new invention, with an

abundance of which, perfons of more ingenuity than judgment

have not enriched our language, but incumbered it. I have alio

everywhere ufed an unabbreviated fullnefs of phrafe as moft fuited

to the nature of the work, and, above all, have ltudied perfpicuity,


PREFACE. not only becaufe verfe is good for little that wants it, but becaufe

Homer is the moil perfpicuous of all poets.

In all difficult places I have confulted the beil commentators,

and where they have differed, or have given, as is often the cafe,

a variety of folutions, I have ever exercifed my beil judgment, and

felected that which appears, at leafl to myfelf, the moil probable

interpretation. On this ground, and on account of the fidelity

which I have already boailed, I may venture, I believe, to recom-

mend my work as promifing fome ufefulnefs to young iludents of

the original.

The paifages which will be leail noticed, and poiTibly not at

all, except by thofe who ihall wiih to find me at a fault, are

thofe which have coil me abundantly the moil labour. It is dif-

ficult to kill a iheep with dignity in a modern language, to flay and i

to prepare it for the table, detailing every circumilance of the pro-

cefs. Difficult alfo, without finking below the level of poetry, to

harnefs mules to a waggon, particularizing every article of their

furniture, ilraps, rings, ilaples, and even the tying of the knots

that kept all together. Homer, who writes always to the eye,


with all his fublimity and grandeur, has the minutenefs of a Flemiih


But in what degree I have fucceeded in my verfion either of

thefe paifages, and fuch as thefe, or of others more buoyant and

above-ground, and efpecially of the moil fublime, is now iubmit-

ted to the decifion of the reader, to whom I am ready enough to


XVI PREFACE. confefs that I have not at all confulted their approbation,

account nothing grand that is not turgid, or elegant, that is not

zened with metaphor.

I purposely decline all declamation on the merits of ' to"er,

becaufe a tranilator's praifes of his author are liable to a fufpicion

of dotage, and becaufe it were impoiTible to improve on thofe

which this author has received already. He has been the wonder

of all countries that his works have ever reached, even deified by

the o-reateft names of antiquity, and in fome places actually wor-

fhipped. And to fay truth, were it poiTible that mere man could

entitle himfelf by pre-eminence of any kind to divine honours,

Homer's aftonifhing powers feem to have given him the beft pre-


in no conclude without due acknowledgments to the bell

critic in Homer I have ever met with, the learned and ingenious

Mr. Fusi Li. Unknown as he was to me when I entered on this

arduous undertaking, (indeed to this moment I have never leen

him) he yet voluntarily and generouily offered himfelf as my revifor.

To his clamcal tafte and juft difcernment I have been indebted for

diicovery of many blemifhes in my own work, and of beauties,

which would otherwiie have efcaped me, in the original. But his

neceilary avocations would not fuffer him to accompany me farther

than to the latter books of the Iliad, a circumftance which I fear

my readers, as well as myfelf, will regret with too much real'on *,

•ne of the few -tcs (ubjoined to my Cranflation of the Odyilcy are bv .Mr.

.ho had a (hort opportunity to perule the MSS. while the Iliad was printing.

ked with hi-, initial



I have obligations likewife to many friends, whofe names, were

it proper to mention them here, would do me great honour. They

have encouraged me by their approbation, have aflifted me with

valuable books, and have eafed me of almoft the whole labour of


And now I have only to regret that my pleafantwork is ended.

To the illuftrious Greek I owe the fmooth and eafy flight of many

thoufand hours. He has been my companion at home and abroad,

in the ftudy, in the garden, and in the field -, and no meafure of

fuccefs, let my labours fucceed as they may, will ever compenfate

to me the lofs of the innocent luxury that I have enjoyed, as a

Tranflator of Homer.


LIST of SUBSCRIBERS. Tbofe marked f, are Subfiribers for Copies en fine Paper.

His Royal Ilighnefs the Duke of Gloucester.

Her Royal Highneis the Dutchess of Gloucester.

Lord Apfley

Lord Alva, f.

Lady Anderfon, York

The Rt. Hon. Henry Addington, Speaker

of the Houfe of Commons, f.

The Hon. Sir Wm. Aihhurft, Knt.

John Hiley Addington, Efq; Clevehill near

Briftol, f.

Francis Annefley, Efq; M. P.

Sir Rowland Alfton, Bart.

John Aubrey, Efq;

W. Aiken, Efq;

John William Adam, Efq; Crutched Friars,f.

George Anfon, Efq;

Matthew Robert Arnott, Efq; f. two copies

Robert Alexander, Efq;

The Rev. Air. Gilbert Auften

Mr. George Adams, Fleet ftreet

Mr. Wm. Andrews, Olney, Bucks

Anonymous, f.

, by the Rev. Mr. Thomas Bodham •

, by Mifs Johnfon

, by Mr. John Johnfon

, by the fame

, by the fane


The Dutchefs of Buccleugh


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